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Abstract

An analysis of Asian roles in American cinema revealed a complex portrayal of Asian Americans liminality. Seventeen films derived from "Asian American Film 101" (2011) a list created by Michael Kang were used to conduct this research. The literature concluded there were limited spaces for Asians in Hollywood: women shown as hypersexual and men a meek and asexual. Using content analysis from these seventeen significant Asian American Oscar nominated films, the research showed the presentation of Asian Americaness in a state of transition. These films showed the Western perception of a liminal state between their Asianess and their Americaness.

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